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On the navy ship, it soaked up sweat when they were shoveling coal into the engine. It was a completely knit mesh shirt, which looked like you were wearing a net. It said, “From early rushes, we can tell you it’s hot.” What were the most outrageous items sold by International Male, aside from the Jock Sock?īD: One of the first items they found was this British navy shirt called the Stoker.
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It talks about 1980 being wonderful because a movie called Can’t Stop the Music was coming out. The one from that catalog is so good because that was the time Jenner and people were pushing to be more of a celebrity. There was always a letter from the editor, Gene. For International Male, it was a way to legitimize their brand. He said, “I want to do a tight headshot of a model on the cover to make it like a glossy magazine.” Why was Caitlyn Jenner on the cover in 1980?īD: It was a way for Jenner to get name and clothes and brand out there. Gene wanted a “magalogue”-part magazine, part catalog. Some were models for Versace and Herb Ritts, but they made their bread and butter working for International Male and bought their houses from it. This was the beginning of the male model and supermodels. As for the models, it was the highest paying job a model could get in the industry. To work in a place where you could be so open was something not experienced. JFR: It was a band of outsiders that came together. Here were men traveling the world and laughing and wearing underwear. That was super powerful to gay people because representations of gayness were horrific in the ‘80s. It was a gateway to a different world-a way of looking at men and men’s bodies. It could go in the regular mail without a special envelope. JFR: It was safe to have on the coffee table. Would you say it also appealed to a lot of closet cases? A lot of the clientele were straight and a lot were women buying it for their men. You have all these men in their 20s and 30s that had subscriptions to something and it would just go to them. They’d buy those mailing lists and send catalogs, assuming that was the demographic they were going after. Let’s say you had gotten Playboy, GQ, or Columbia House Records. At some point, he convinced his mother to buy him some clothes out of it. It would be sent to his older brother and Carson would go to the mailbox to get it first and take it to the basement rec room. This thing started coming, and I thought, Did the boys at school who tease me send this to me? I didn’t care.īryan Darling: In our movie, Carson Kressley describes the experience of getting it in such unbelievable detail. “How did they get my name?” They bought mailing lists. Jesse Finley Reed: That’s the number one question. I have to admit I wondered how they got my name, but I was kind of thrilled that they did. I always happened to get the International Male catalog in the mail.
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I talked to the directors about the project and what made International Male so “readable.” Hi, guys. The film is currently in production, with no concrete release date.
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“More than outrageous fashions, hunky models, and scandalous undies, All Man is a journey across three decades of the International Male catalog’s lasting impact on fashion, masculinity, and gay rights,” reads the documentary’s mission statement. The resulting phenomenon is finally the subject of a documentary: All Man, directed by Bryan Darling and Jesse Finley Reed.